Ir al contenido principal

FORMACIÓN DE EMPRESAS ARTÍSTICAS EN LA UNIVERSIDAD AUTÓNOMA DE CHIHUAHUA-MÉXICO



FORMACIÓN DE EMPRESAS ARTÍSTICAS EN LA UNIVERSIDAD AUTÓNOMA DE CHIHUAHUA-MÉXICO


Intervención educativa realizada en la Facultad de Artes de la Universidad Autónoma de Chihuahua, para capacitar a alumnos y/o egresados de licenciaturas en artes sobre temas relacionados con el emprendimiento, las cuales presentan una pertinencia laboral baja, debido tanto al contexto de la ciudad de Chihuahua como a las condiciones mismas de los programas de estudio que preparan a los estudiantes para un medio laboral cerrado a la contratación de jóvenes, así como el gubernamental y de docencia artística. A partir del análisis de encuestas, literatura especializada, contenidos de los programas educativos y observación directa, se crea un curso en línea para auxiliar a estudiantes y egresados en su autoformación en temas de administración, mercadotecnia y capital humano; debido al poco impacto de este, se preparan cursos presenciales para que los estudiantes puedan crear proyectos productivos y acceder posteriormente a créditos blandos. La necesidad de crear proyectos productivos desde la etapa estudiantil es inminente, debido a las políticas gubernamentales orientadas al autoempleo, las crisis económicas recurrentes y la disminución de los empleos de calidad. [Abstracto del autor]


Reference: García Ruiz, L. A. (2018). Formación De Empresas Artísticas en La Universidad Autónoma De Chihuahua-México. Revista Trilogía, 10(19), 59–74. Retrieved from https://udlap.idm.oclc.org/login?url=https://search.ebscohost.com/login.aspx?direct=true&db=bth&AN=131713523&lang=es&site=eds-live

Comentarios

Entradas más populares de este blog

Street art

STREET ART  Street art in Mexico always represents something of Mexican culture, in the image can be seen represented an Alebrije. This ones was created in 1936 by a cardboard man named Pedro Linares López, at 30 years of age. His inspiration came after getting sick and falling into a deep sleep, where he saw these creatures for the first time. During his illness, it is said that Pedro dreamed of a forest full of trees, rocks and animals, being very peaceful. Suddenly, those elements began to transform into strange creatures, like donkeys with wings, roosters with bull horns, lions with dog heads, and so on. And all those fantastic animals shouted a word in unison and every time stronger: alebrijes. If you want to read more about this story click here. Reference: Gleo & UnoNueve collaborate on a new mural in Mexico City | StreetArtNews  Gleo and UnoNueve - Mexico City (Mexico) https://pin.it/3kbkod43ya2eu5 , http://viamexico.mx/misticismo-los-aleb...

Reflecting on Basic Art Education in Aguascalientes, Mexico. Implications for Higher Education

Reflecting on Basic Art Education in Aguascalientes, Mexico. Implications for Higher Education The basic art education in Aguascalientes, Mexico, faces a significant number of challenges that must be overcome and problems that must be addressed. Among other challenges, the public education system must train a high number of teachers who lack professional qualifications. The system also has to promote the training of its whole teaching staff and satisfy the demand for sufficient pedagogical materials. Thus, the author proposes that higher education must actively get involved with basic education by implementing remedial programs for unqualified teachers. It also must propose continuous education programs to foster a better preparation of the teaching staff and develop research projects that generate knowledge to promote more comprehensive and better-quality art education. The contributions made to the improvement of art education will impact on more sensitive, creative and harmonio...
Oral Traditions in Greater Mexico  Marcia Farr  What Américo Paredes (1993) once called Greater Mexico now exists all over the United States. That is, the Mexican diaspora (perhaps Cuauhtémoc’s true revenge) is evident from Alaska to Georgia, and everywhere in between. This presence of Mexicans is particularly notable in Chicago, the global Midwestern city, which now counts a million persons of Mexican descent in its metropolitan area (U.S. Census 2000). Mexicans, like all peoples, bring their oral traditions with them in such transnational migrations. Mexican oral traditions rely on a wide range of genres, from the more canonical corridos (narrative folk songs with poetic structuring; see HerreraSobek 1990, Limón 1992), proverbs (Dominguez Barajas 2002), riddles, and jokes to varying types of informal narratives. The richness of these oral traditions illustrates the creativity and high value placed on rhetorical competence (Briggs 1988) within Mexican cultures and the...